The image quality is not comparable to what we have used the great movie industry, but those who use cell phones these rescue given the freedom to record when in fact this an event worthy of being included in the script , which is not only a global idea.
And because the image is not the main thing, and even some views like pixelated, the sound does matter, says Benoît Labourdette for the BBC, film festival organizer pocket in France. "If you watch a movie with a poor image and sound good you will feel you are in with a professional film," he said.
In Peru had not heard before about movies pocket, however I see that in France is quite a boom. (Fernando tell me if where you also have much welcome this moviemiento).
Anyway, back a little on advocacy issues discussed here, after reading about this trend and find little publicity material (posters, videos, photos, etc.) I had the question: How do the filmmakers of this movement to promote their films, and even get to Cannes (as Jean-Charles Fitoussi )? Made
guess luck is primarily used viral marketing, but if someone who knows more about it I would appreciate it clears it.
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